30+ Stylised film looks that will make you feel like a Pro Colorist
Available as PowerGrades for DaVinci Resolve
THE
VAULT
OVER 30 NEW POWERGRADES FOR DAVINCI RESOLVE
Black & White • Cinema TnO • Film Stock Blues • Film Stock Brown • Film Stock v1, v2, v3, v5 • Film Stock Winter • Gold Glow • Green to Pink • Joker • Mind Hunter • Narrative Clean • Narrative v1, v2, v3 • Peach • Portrait Blues • Portrait Browns • Portrait Flat Yellow • Portrait Greens • Rec.709 • Spring Flat • Summer Digital • Sunset Deep • Sunset Gentle • Sunset Pink • Teal & Orange • Automotive Car Show • Automotive Clean • Tungsten Removal
THE VAULT POWERGRADES
$197
$127
FOR THOSE WHO ARE NOT AFRAID OF COLOR
SOME OF OUR COMMUNITY FAVORITES
“WEREN’T THERE SUPPOSED TO BE FOUR OF YOU?”
“Just drive. You’re not being paid to yap.”
“Whatever you say, just don’t kill me.”
"This world is full of winners and losers... but no one ever talks about The Box. Oh no — they’re too busy fighting over their medals and riches. But The Box? That’s where life begins.
Once you hold The Box... once you own it... you're no longer a prisoner of it.
You’re FREE.
And that, my friend, is when the real madness begins. Now get me to John.”
WHAT’S IN THE BOX
As you pick up John, The Driver’s red Subi blows a tyre. The police catch up and Detective David Mills pronounces you all under arrest. He sees The Box and becomes fixated…
Just as you’re about to open The Box to show the detective, the unthinkable happens. Dominic Toretto falls from the sky in his 70’ Dodge Charger, and destroys the police car. The rest of the Fast crew follow - you and the whole team are saved.
You’re taken back to the safe house and you thank Dom for saving you. He replies with one word, “Family.”
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✅ The Vault Powergrades 💎
A set of 30+ stylised cinematic Powergrades for DaVinci Resolve to boost your color grading.
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✅ The Digifilm Node Tree 📺
The Legacy Powergrade that many of The Vault looks are built from. This is perfect to really understand and learn the fundamentals of color grading.
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✅ Private Community 📚🤝
A discord community where you can receive feedback and support from Cinematographer Ragib Choudhury and others. It doesn’t even have to be just color grading!
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✅ Tutorial Libraries 💡📖
A library of 20+ in-depth tutorials, showcasing how to grade different types of camera footage using the Powergrades in The Vault.
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✅ Video Overlays 🎞️
High quality HD Snow and Film Grain overlays to enhance the look and texture of your videos.
OPEN THE BOX
ONE NODE TREE. INFINITE OUTCOMES.
Latest update: Digifilm 2.5 (only works with versions of DaVinci Resolve 19 or later)
When working with Digifilm, we recommend setting your timeline color space to DaVinci Wide Gamut, and output color space to Rec.709A if working on a Mac. This will not only ensure you work in a wide color space allowing you take advantage of the full dynamic range of your camera, but also ensure your export looks exactly the same as your color tab.
CST - Digifilm uses a CST workflow where you simply input the log and color space, such as Slog3 and S-Gamut3.cine if using a Sony FX3. If you’re grading clips from your phone, you can input Rec.709 for both settings. Once you have done this, you will have a classic Digifilm look to use as a starting canvas for your edit.
Halation - This is the spreading of light beyond its boundaries to form a glow around the edges of a bright image. DaVinci’s built in halation although great, lacks finesse. Digifilm uses a specific technique that allows you to not only adjust the strength of your halation but also change the hue of it to any color using curves and blur.
Film Tone - A 16mm or 35mm filmic emulation can easily be achieved by turning on the Film Tone, Grain and Blur nodes. You can then delve into each of these and adjust to your preference.
Color Masking - Digifilm uses a unique method to help isolate colors, perfect for controling skin tones.
Glow + Bloom - These tools are great to not only soften up your highlights, but also to help you create that dreamy look.
Red Control - Reds are always a challenge, but by using the new color slicing tool you’re able to control them easily.
Vignette - A well adjusted vignette that’ll push emphasis on the centre of your frame.
Printfilm + Cineon - Choose either to create a Printfilm look through Kodak and Fujifilm color science, or achieve a more filmic look using the Cineon node.
Black Desat - A tool used to desaturate any colors lying in your shadows to give neutral blacks.
Digifilm is not only a great color grading asset, but also a community of 200+ like-minded individuals who want to continue to grow and develop their skills as colorists, editors, and filmmakers.
FEATURES:
Tutorials covering editing tips and new features of DaVinci Resolve
Join live groups catch ups
Be the first to suggest new products and powergrade looks
Get answers to your questions
Networking with other filmmakers around the globe
Early Access to updates and new products
